Story

Robert Morris and the “Art Magick”

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Authors: John Dos Passos

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October 1956 | Volume 7, Issue 6

 

Early in the York town year of 1781 the Continental Congress heard the report of a committee which had been at work estimating the debts of the United States. The committee failed to find enough income even to meet interest charges. The Continental paper had reached a point where it cost more to print a bill than it was worth in the market place. Next day the members of Congress voted unanimously to dump the whole mess in the lap of Robert Morris.

The Financier, as he came to be called, was the center of a web of commercial enterprises which included most of the banking and land speculation and shipping of the middle states. He was openhanded, approachable, a bold trader who exuded that prime commercial quality described as confidence. He was thought to be the richest man in America.

Martha Washington’s grandson, George Washington Custis, used to say that of all the Revolutionary leaders it was Robert Morris for whom Washington felt the warmest personal friendship. He was a sanguine, hearty, thick-necked man. He had two town houses and a country house above the Schuylkill, where his table was famous for good food and good drink and cheerful entertaining; he was always ready to crack a friendly pot. He was obliging, particularly to people of influence. He made an opening for one of Washington’s nephews in his country house. He was helpful to the General and to many a member of Congress about discounting notes and cashing bills of exchange. When Jefferson after his wife’s death left his eleven-year-old daughter in Philadelphia for her schooling, Mr. and Mrs. Morris couldn’t have been more considerate. The great magnate arranged loans for congressmen; he gave advice to his many friends about investments; he was everybody’s banker.

Of his appointment as superintendent of finance, Washington wrote: “I have great expectations of the appointment of Mr. Morris, but they are not unreasonable ones; for I do not suppose that by art magick, he can do more than recover us, by degrees, from the labyrinth in which our finance is plunged.” Art magick! High finance was regarded with awe and astonishment in those days, almost as a form of sorcery. What Robert Morris did, in that mysterious realm, no other man in America could have done. The Financier played such a crucial role in the affairs of the Confederacy that, by the time Washington rode home to Mount Vernon in December, 1783, he was left the most influential figure in the government.

Yet there was always ground for suspicion. Joseph Reed of Pennsylvania, who had been Washington’s aide in the old days of the investment of Boston, was a vain and thin-skinned politician but a man of good education and a shrewd observer. After Morris’ appointment as superintendent of finance he described him to Nathanael Greene as a “pecuniary dictator. … It would not be doing justice not to acknowledge that, humiliating as this power is, it has been exercised with much advantage for the