Snapshots of General Custer (April/May 1985 | Volume: 36, Issue: 3)

Snapshots of General Custer

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Authors: Geoffrey C. Ward

Historic Era: Era 6: The Development of the Industrial United States (1870-1900)

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April/May 1985 | Volume 36, Issue 3

 

Evan S. Connell’s best-known novel, Mrs. Bridge, published in 1959, is a portrait of a Midwestern wife and mother of the 1940s whose complacent certitudes inexorably isolate her - first from her own children, then from the increasingly uncertain world beyond her tidy Kansas City neighborhood. Toward the end of the book, her son and daughters gone, her husband dead, Mrs. Bridge finds some solace in a family album containing snapshots of the single European trip she and the late Mr. Bridge had managed to take:

“I don’t know whether this would interest you or not,” she would say to guests, picking up the album in both hands, and as she deposited it on her visitor’s lap she would say, “Now, just look at them until you get bored, but for heaven’s sake don’t feel obliged to go through them all.” And she would then hover nearby, anxious to know which pictures were being looked at. Often she would be unable to sit still; she had to look over the visitor’s shoulder, reaching down now and then to say, “That’s the famous old cathedral you’re always hearing about.” Or, “That’s the ocean, of course.” Or, “This was taken from the steps of the National Gallery, and right there—directly behind the man on the bicycle—is where we ate lunch.”

Mrs. Bridge is both funny and harrowing, a mosaic of shrewdly observed, flatly rendered details—her awful discovery of a girlie magazine while putting away her son’s folded shirts, her too adventurous attempt to bake pineapple bread for her husband on the cook’s day off—whose dispiriting pattern she never discerns but which the reader cannot miss.

In recent years, Connell has produced two volumes of eclectic historical essays— A Long Desire and White Lantern —in which he employs something of the same technique, spinning colorful versions of explorer’s adventures and scholarly feats out of seemingly disassociated facts, but embellished now with his own observations. Last winter, he published Son of the Morning Star: Custer and the Little Bighorn. Like Mrs. Bridge, it is filled with wonderful detail. Readers interested in Western history will certainly not be bored with it, though they may be baffled and frustrated. For, despite the energy and elegance of Connell’s writing and the diligence of his research, this volume, like Mrs. Bridge’s photograph album, remains finally a collection of raw material for a moving story which its compiler evidently could not find a coherent way to tell.

 

The book begins and ends on the Custer battlefield, but in between it twists and meanders and turns back upon itself as bewilderingly as the Little Big Horn. Nearly everything that Connell gleaned from his reading seems to be included, and he read a great deal: his bibliography lists upward of 420 titles. There are disquisitions on every imaginable aspect of the Custer campaign; of the Plains Indians wars of which it was the most memorable event; of the lives