Authors:
Historic Era:
Historic Theme:
Subject:
April 1965 | Volume 16, Issue 3
Authors:
Historic Era:
Historic Theme:
Subject:
April 1965 | Volume 16, Issue 3
To most people, prairie country is farm country—big fields of corn and oats, rolling pastures with lone trees standing on the slopes. But when the virgin timber that originally covered the river valleys was slaughtered to make room for corn and cattle, homesteads and town sites, good bits of it were left, down along the creeks and river bottoms, under the crests of low hills. These are the prairie woods, where farmers turned loose their cattle and where country communities held Sunday-school picnics and Fourth of July celebrations. Every town had its woods close by—“Somebody’s Grove,” or “down by the creek.” “Going to the woods” was an institution with which prairie children grew up.
Trees have their own significance on the prairie. When they stand solitary—a big oak outlined against the sunset or a wild plum in bloom on a pasture slope—or when they stand in groves, seen across the swell of plowed fields, a thick dark brushwork on the very rim of the world—always they gain meaning because of the prairie setting. To go from the prevailing big openness of air and sky and sunlight into the coolness, depth, and mystery of the woods, where all kinds of wild things grow haphazard instead of in the neat, planned rows of the worked land, is to savor the natural variety of the prairie country.
The woods of my own prairie state, Iowa, are as characteristic, in their way, as is the farm land. To my taste, there is a nice blend of the tame and the wild in the woods of Iowa. This is characteristic of Iowa woods: smooth, rounded slopes with fine, long green grass; open spaces through which the sunlight falls, gracious and wide; trees—white oaks, large and well spaced, bur oaks in clumps, elms standing apart, scatterings of nut trees—hickory, walnut, butternut—with their double leaves, casting a patterned shade; a brown creek that bites its way through banks which cave in on either side; a boy sitting on the bank above a pool, fishing for bullheads; whirring insects, calling birds, cattle cropping a hill slope; wild gooseberry bushes, bitter-smelling white yarrow, clumps of catnip, clover humming with bees; elderberry in bloom, with its creamy green-white tufts of flower-lace; close by, a wet clayey place rank with weeds, nettles, vines, where one must “look out for snakes”; deeper still, a thicker woods, with high undergrowth and trees tangled with wild grape and cucumber vines.
In my girlhood, one could never forget the closeness of the woods. Around old-fashioned houses grew the transplanted wild flowers: bluebells, bloodroots, violets, spring beauties. (For prairie woods and wild flowers go together.) It was the women of my mother’s generation who lived close to these things. In those days, some woman hitched up “a good safe horse” to the family buggy and drove out into the woods for wild flowers for her garden beds. I remember the whole scene —the mild and gentle horse with its fearful driver, the buggy