“Mama, They’ve Begun Again!” (December 1964 | Volume: 16, Issue: 1)

“Mama, They’ve Begun Again!”

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Authors: Bruce Bliven

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December 1964 | Volume 16, Issue 1

On the twenty-seventh of January, 1812, a five-year-old boy lay desperately ill of scarlet lever in a house on the outskirts of a New England village. The next morning, a neighbor sent his nine-year-old daughter to inquire how he was. Her knock at the door was answered by the lather of the child; the girl, wise beyond her years, took one glance at his stricken face and turned away without speaking. She did not need his few mumbled words to know what had happened.

The bereaved father was Ralph Waldo Emerson, the nine-year-old girl was Louisa May Alcott, and the father who had sent her to ask was Bronson Alcott, schoolteacher, philosopher, conversationalist, erstwhile peddler and common laborer, and Emerson’s closest friend and heaviest cross for almost fifty years.

That Louisa May Alcott came to inquire about little Waldo on that tragic morning, and not her father, was a blessing. Emerson could hardly have borne elaborate expressions of sympathy, and these Bronson would almost surely have uttered. He was a man who found it impossible to keep still; in an age when many people talked too long by modem standards, Bronson talked too long even for his contemporaries. Ideas staged up in him like bubbles rising in a spring. He rarely finished a sentence; he went on from one dependent clause to another until he finally dropped the whole thing and instantly started a fresh idea. His problem of communication was not helped by the fact that he was a mystic who spent his whole life struggling to explain the inexplicable.

On many occasions he would call at Emerson’s house to go walking; by the time they were past the door-step, Alcott was in full career, pouring out his torrent, while Emerson listened quietly, a faint smile around his lips. (Odell Shepard, in his Pulitzer-prize-winning biography of Alcott, Pedlar’s Progress , remarks that “Emerson caried an envelope of silence about with him wherever he went, like the water spider’s bubble of air.”)

The walk rarely got more than a hundred yards from the house; at the first stile, or perhaps at some handy apple tree against which one could lean, Alcott would give up the unwelcome task of trying to keep his feet moving. The two would stand there, perhaps for hours, after which they would return to the house with Bronson sincerely convinced that his friend Waldo had said many interesting things, from which he had learned a lot.

Emerson called him, but not to his face, “a pail with no bottom,” and agreed with the critic who said of his writing that it resembled “a train of fifteen cars with one passenger.” Seeking to make him less windy, Emerson told him, “You are tempted to linger around the idea in the hope that what cannot be stated in a few words may yet be suggested by many.” It was all in vain. Yet Alcott’s verbosity was