write a poem too. Here it is:

It is morning; I am sitting by the door, /And I listen to the humming-birds /And watch to see them soar. /And I think of Little Rhody, /The place where I was born,/And the fishhawks slowly circling /In the cool September morn, /And the sand so whitely glistening, /And the shells along the shore, /And the bay so blue and sparkling /Which I shall see once more. /For I dream it in my dreams, /And fancy them I see, /And wish that it might come to pass /That thither I might flee.

The fact that he was right in Little Rhody at the moment never struck him until years later, and never struck the Bishop at all.

Not that the Bishop was without humor. His see was Central Pennsylvania, and his Palace, as he liked to call it, stood in Reading. He loved to tell his children about the Pan-Anglican Convention at Lambeth, somewhere in the 1870’s, when Queen Victoria received the American bishops along with her own. As he and his wife entered the door–he in shovel hat and black apron and she in bombazine—the major-domo bellowed down the hall,”‘IS GRICE THE LORD BISHOP OF CENIRAL PENNSYLVAN- EYE -A and mrs. ’owe.”

The boy went to college at Lehigh in Bethlehem, not far from the cathedral. By the time he had finished, and was ready for a profession, the Bishop faced the same dilemma as at his christening: all the careers were pre-empted by the older sons and sons in law. There was a doctor, two ministers—and even another bishop—and a naval officer, a stockbroker, a fledgling author, and two brothers in coal and iron. There seemed nothing left for No. 18.

The Bishop, in conclave with the elders, decreed architecture for No. 18, in the belief that neither stammering nor left-handedness would impede a boy who was to spend his days over a drawing board. He had chosen literature for No. 17, who stammered too, and whose eyes were weak; neither an architect nor a poet needs the same vision or fluency as a coal and iron man. Through the rest of their long lives, these youngest two, No. 17 and No. 18, were to remain closer comrades than any other pair in the Bishop’s brood.

From Lehigh, No. 18 went to Massachusetts Tech, and No. 17 to the Harvard Graduate School. They roomed together on Mt. Vernon Street in Boston. Their landlady seated the two stammerers apart, to spare them the titters of the table d’hôte. One day she led a new boarder over to their corner. The brothers scrambled to their feet, and stammered their how-do-you do’s. The newcomer held up three fingers, said simply, “th-th-three,” and sat down beside them.

When No. 18 was graduated from architectural school, a classmate proposed a partnership in New York. But No. 18 told him, “I’d rather be a big frog in a

small puddle than a small frog in a big one.”

“Well,” said his friend, “why not be a big frog in a big puddle, as I shall be?”

And he was; but No. 18 chose to stay in his birthplace. He started as a draughtsman for three dollars a week, at an office in Providence, eighteen miles away. He commuted by electric train, and continued the same routine for fifty years, until automobiles put the trains out of business. By the time he was twenty-nine he had saved enough to be married. He fell in love with the prettiest girl in town. The girls wore corsets then; he used to boast that he could—and often did—encircle her waist with his two hands. She was the only child of the Episcopal minister. Since her mother had died when she was only six, she depended on her widowed father, and he on her. She was a popular girl at clambakes and Germans—so popular that her father feared he would lose her and be left alone in the rectory. He was glad when she chose the young architect; and the Bishop, who was twice a widower himself, was glad too.

They were married in 1897 by her father in his own church, when she was twenty-one. No. 17, the favorite brother, was best man. The groom fainted at the rail, somehow without the knowledge of anyone but No. 17. When the Rector put the question, “Wilt thou have this Woman to thy wedded wife …” and when the answer came back, “I w-w-will,” he never noticed that it was the best man, not the groom, who had answered—or if he did, he never let on.

Married life began in the rectory. When the first child was born, the young father was so fretful at the childbed that the mother shooed him away. When the second child came, he lolled at the window with pipe and novel. “Brute!” his wife gasped, “what are you reading?”

“The Iron Woman,” said No. 18, “by Margaret Deland.”

Neither his left-handedness nor his stammering did impede his work or his happiness. Once he fell down the empty hoistway of an elevator, breaking his left wrist.

“Damned fool that I am,” he scolded himself. “I just didn’t look.”

But he learned to draw with his right hand, and was ambidextrous thereafter. At the age of eighty-seven he drew, at 1/16″ to the foot, a sheet of the ancient buildings in his beloved home town. It was a present for her 275th birthday, and it would honor a draughtsman of any age. He loved his trade.

His humor! Once he was visited by a client who proved to be stone deaf. When he had left, one of his draughtsmen asked him how the interview had gone.

“W-w-well,” he stammered, “a team can get along with a no-good catcher or a no-good pitcher. Not with both. Now he can’t catch and I can’t pitch.

But we got the job anyway.”

When he sang, he ceased to stammer—whether it was Mandalay at the piano, or the Offertory with the choir, or just a hymn with his morning shower. There, his favorite was:

New every morning is the love /Our wakening and uprising prove; /Through sleep and darkness safely brought, /Restored to life, and power, and thought.

In the bathroom was a framed certificate that the Bishop “Having Contributed to the Pennsylvania Training School for Feeble-Minded Children the Amount Required by Law,” was a “Member of said Corporation for Life.” The family used to ask No. 18 whether the certificate meant an amount of money or an amount of feeble minded children; he would laugh and say that he wasn’t sure himself.

Again, a client was describing to him a color she wanted: “gray and pink, but not really either, because it must have light in it.”

“I know exactly,” he told her. “The color of the inside of an elephant’s ear by moonlight.”

There was a builder in town whose initials were C. I. The trade always nicknamed him Cast Iron. His son’s initials were E. H. “ They ,” said No. 18, “stand for Even Harder.”

But none of his children remembers seeing him angry with anyone but himself, for even the best of reasons. If they disappointed him, his sorrow was punishment enough. He was president of the town council during a strike at the town’s big factory. A striker, in the crowd at the gates, threw a stone which caught his temple.

“It was quite a hard stone too,” he said rubbing the bruise, “but I don’t believe it was meant for me. There isn’t such a good shot in town.”

When his father in-law had to give up the rectory because of his age, No. 18 built a house of his own and took him along to it. There the venerable clergyman died at eighty-three. Those of his grandchildren who are old enough still remember his daily cold plunge, and the smell of tobacco and theologies in his room, and the photostat of Shakespeare’s epitaph over the door, whereby he warned broom-wielders to keep out:

Good Friend, for Jesus’ sake forbear /To dig the dust encloased here.

The couple had six children, spaced over twenty-three years. Every Christmas No. 18’s present to his wife was sweetened by a poem or a drawing, or both. When the first grandchild appeared, for instance, he made up a necklace of artificial pearls, strung among six wooden beads. The beads stood for the children. A red wooden heart—the grandson—closed the necklace at the bottom, and there hung from it a single pearl—a real one. In his beautiful calligraphy he illuminated this parody on a sheet of cardboard, and sang Nevin’s famous melody to her, with gestures, before the Christmas tree:

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The bairns you’ve borne to me, Dear Heart, /Are as a string of pearls to me; /I count them over, every one apart, /My Rosary. /Each boy a pearl, each daughter fair, /To cheer my heart, expand my lung; /I tell each bead unto the end, and there /A grandson’s hung. /Oh Memories that bless, not burn! /Oh boundless gain, though fiscal loss! /I kiss each bairn and grandson in his turn /Though old and cross, /Sweetheart, /Though old and cross.

In that same year a friend of his marvelled, “How you can carry on your profession, and Mary can run a taxi service and an antique shop, and the two of you run the Library and almost run the church, and still look after six children, from a grown man down to a baby, I don’t know.”

“I d-d-do have a varied life,” he conceded. “Before I go to bed I’ve got to see that my youngest son gets his bottle, and my oldest d-d-doesn’t get his.”

His youthfulness! He ate lunch at a businessmen’s club in the city. His tablemates looked on him as a firebrand radical, more dangerous with each passing year, though he was senior to them all. He believed in the goodness, and the irresponsibility, and the immortality of the common man.

As the years glided past, his descendants multiplied. He could hardly remember the names of all, still less their birthdays. On his own, then, he would send each of his six children a check. The amounts were for the number of their children and grandchildren—that figure he proudly kept track of—multiplied by two dollars.

His self-sufficiency was part of his happiness. When his wife died, a few years after their golden wedding anniversary, his oldest son stayed a week with him in the empty house. Mostly he stared out at the harbor, saying little, but when he drove his son to the train, and kissed him good-bye, he blurted out, scolding himself again, “O-d-damn it, I don’t miss your mother yet.” He designed a double gravestone, such as you sometimes see in ancient cemeteries, with his wife’s dates, and the day of their marriage, and the names of both sets of parents all cut on it, and the date of his own birth on his side.

“We hope you don’t feel gloomy,” his children told him, “to see the stone waiting for one more date.” “On the contrary,” he answered, “it gives me a sense of S-s-social Security.”

He addressed his last parody to his own photograph (and it is rare to see two, nine decades apart, of the same face):

Speak, speak, thou fearful pest, /In rumpled bathrobe dressed, /Who, with thy shrunken breast, /Comest to daunt me: /Under the old pajams, Nestle thy withered palms, /Stretched as if asking alms: /Why dost thou haunt me?

He died surrounded by his children. A tempest

roared over the harbor, but applewood glowed in his fireplace. When the next breath failed him, there was a flutter in the room as if a bird had flown, or as he would have said himself, had h-h-hatched.

Man’s monuments prolong him briefly; his children, who are another word for his love, may extend him forever. No. 18 leaves five hundred buildings as a reminder, and a round fifty descendants. None, in the sixty-three years since he fainted at the altar, had preceded him, and there are more to follow. They cannot repine.