The Elusive Swamp Fox (April 1958 | Volume: 9, Issue: 3)

The Elusive Swamp Fox

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Authors: George F. Scheer

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April 1958 | Volume 9, Issue 3

 In John Blake White’s famous painting, Marion offers a British officer a meal of baked potatoes. Legend says that White had sat on Marion’s knee as a child and remembered his features. The painting was reproduced on Confederate currency. Painting courtesy of Life (Harry Shaw Newman, The Old Print Shop)
In John Blake White’s famous painting, Marion offers a British officer a meal of baked potatoes. Legend says that White had sat on Marion’s knee as a child and remembered his features. The painting was reproduced on Confederate currency. Painting courtesy of Life (Harry Shaw Newman, The Old Print Shop) 


“Our band is few, but true and tried , Our leader frank and bold; The British soldier trembles When Marion’s name is told.”

There is the poem, and there is the sentence or two in schoolbooks about the phantom general who sallied at night I’rom his secret lair in the swamps to attack the British loe. And there is the sobriquet, the Swamp Fox. And that’s about all anyone seems to remember about General Francis Marion—except, perhaps, that once he invited to dinner a British officer, in his camp under flag of truce, and served only fire-baked potatoes on a bark slab and a beverage of vinegar and water. “But, surely, general,” the officer asked, “this cannot be your usual fare.” “Indeed, sir, it is,” Marion replied, “and we are fortunate on this occasion, entertaining company, to have more than our usual allowance.” The visiting Briton is supposed to have been so impressed that he resigned his commission and returned to England, full of sympathy for the sell-sacrificing American patriots. That’s not exactly the way it happened, but no one has ever cared much about the details; that is the way it goes in the Marion legend, and it is the legend that Americans cherish.

That legend was the invention of a specialist in hero making, and the story of its origin and growth is as remarkable as the story of the man it celebrates. It begins with one of Marion’s devoted soldiers, Peter Horry, and it tells how he undertook, several years alter Marion’s death, to write a biography that would immortalize his old chief; how he discovered himself unequal to the task and gave it up; how, much later, his accidental partnership with the Reverend Mason Locke Weems resulted in the first life of General Marion, “a celebrated partisan officer in the Revolutionary War, against the British and Tories, in South Carolina and Georgia,” drawn, according to the title page, “from documents furnished by his Brother-in-arms, Brigadier General P. Horry,” and by Marion’s nephew; how that sensational little book, a captivating melange of “popular heroism, religion, and” morality,” compounded of fact and much fiction, firmly established Francis Marion in the American imagination as the Robin Hood of the Revolution; and how, after that,