read (900-plus pages) but engrossing and immensely rewarding.

Look Away! A History of the Confederate States of America by William C. Davis (2002; Simon & Schuster). “The Confederacy has always been a great story,” Davis writes in his preface, and then he proceeds to do full justice to the tale. Confederate history balanced on a dilemma: “Throughout, there runs a thread of a people whose rulers were trying to bring a link from their past into a new nation in a modern world, to create what they thought they wanted, without giving up what they thought they needed.” Davis explains it all crisply and authoritatively, leaving the reader with the distinct impression that this is how it really was in Dixie.

Lincoln by David Herbert Donald (1995; Simon & Schuster). Harvard’s Donald shaped this monumental biography, he tells us, around “Lincoln’s point of view, using the information and ideas that were available to him. It seeks to explain, rather than to judge.” The result emphasizes the 16th president’s astonishing capacity for growth, the trait that enabled “one of the least experienced and most poorly prepared men ever elected to high office to become the greatest American president.”

Grant Moves South (1960; Little, Brown) and Grant Takes Command (1969; Little, Brown) by Bruce Catton. This is the Union’s greatest soldier, superbly delineated by the Civil War’s greatest historian. This is purely military biography. Grant Moves South carries the story through Vicksburg, and Grant Takes Command concludes it at a grand review in May 1865. Catton’s eye for “the unpronounceable man” is unerring.

Lee’s Lieutenants: A Study in Command by Douglas Southall Freeman, in a one-volume abridgment by Stephen W. Sears (1998; Simon & Schuster). After completing his magisterial four-volume biography of Robert E. Lee, Freeman expressed concern that those lieutenants of Lee’s might have “ridden so far toward oblivion that one could not discern the figures or hope to overtake them before they had passed over the horizon of time.” But Freeman succeeded in capturing all of them, for all time. Published in three volumes in 1942-44, Lee’s Lieutenants remains a paramount example of group biography, and this one-volume abridgment makes that achievement all the more accessible.

Mary Chesnut’s Civil War edited by C. Vann Woodward (1981; Yale). A unique insider’s portrait of life in the war-torn Confederacy. The neutral-sounding title reflects editor Woodward’s brilliant—and Pulitzer Prize-winning—recasting of what was once known as A Diary From Dixie. The “diary” is actually a postwar creation much expanded from a wartime journal. But, as Woodward writes, “Mary Chesnut can be said to have shown an unusual sense of responsibility toward the history she records and a reassuring faithfulness to perceptions of her experience of the period.” Her work remains a vivid evocation of the chaos and complexity of a society at war.

Reveille in Washington, 1860–1865 by Margaret Leech (1941; Avalon). The tale, masterfully told, of the citizens of the nation’s capital, both the leaders and the led, groping toward some understanding of the unimaginable reality of a great civil war at their very doorsteps. A tour de force—and another Pulitzer Prize winner.

The Life of Johnny Reb: The Common Soldier of the Confederacy (1943; Louisiana State) and The Life of Billy Yank: The Common Soldier of the Union (1952; Louisiana State) by Bell Irvin Wiley. In the preface to Johnny Reb, Bell Wiley observed that his work was “an attempt to give the man of the ranks, who, after all, was the army, something of his rightful measure of consideration.” Wiley’s was a truly pioneering effort, constructed almost entirely from soldiers’ letters and diaries and memoirs to portray daily life in camp, on the march, and in battle. No one has ever done it better, and Johnny Reb and Billy Yank still make wonderful reading.

Mr. Dunn Browne’s Experiences in the Army: The Civil War Letters of Samuel W. Fiske edited by Stephen W. Sears (1998; Fordham). Among the myriad published letters and diaries of Civil War soldiers, this collection is unique. Captain Fiske, 14th Connecticut Volunteers, Army of the Potomac, was not only a front-line soldier, but an experienced newspaper correspondent, as well. Writing weekly to the Springfield, Massachusetts Republican under the nom de plume Dunn Browne, Fiske pulled no punches in these observant, witty, sometimes angry, frequently profound letters from the battle lines to the folks back home.

John Brown’s Body by Stephen Vincent Benét (1928; Ivan R. Dee). The critic Henry Seidel Canby, in an introduction to Benét’s epic narrative poem, termed it a veritable library of storytelling, “a poem extraordinarily rich in action, as well as actors, vivid, varied, and so expressive of many men and moods that prose could never have carried its electric burden.” Good art it is, and good history, too, making John Brown’s Body a stunning recreation of the Civil War era.