The Modern Founder (August/September 2003 | Volume: 54, Issue: 4)

The Modern Founder

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August/September 2003 | Volume 54, Issue 4

“Mankind divides into two classes,” The Nation magazine declared in 1868: the “natural-born lovers” and the “natural-born haters” of Benjamin Franklin. One reason for this split is that Franklin does not, despite what some commentators claim, embody the American character. Instead he embodies one aspect of it —one side of a national dichotomy that has existed since the days when he and the fierce Puritan divine Jonathan Edwards stood as contrasting cultural figures.

On one side were those who believed in an anointed elect and in salvation through God’s grace alone. They tended to have a religious fervor, a sense of social class and hierarchy, and an appreciation for exalted virtues over earthly ones. On the other side were those who, like Franklin, believed in salvation through good works, whose religion was benevolent and tolerant, and who were unabashedly striving and upwardly mobile.

Out of this grew many related divides in the American character, and Franklin represents one strand: the side of pragmatism versus romanticism, of practical benevolence versus moral crusading. He was on the side of religious tolerance rather than evangelical faith. The side of social mobility rather than an established elite.

During the three centuries since his birth, the changing assessments of Franklin have tended to reveal less about him than about the people judging him. From an august historical stage filled with far less accessible Founders, he turned to each new generation with a half-smile and spoke directly in whatever vernacular was in vogue, infuriating some and beguiling others.

In the years right after his death, reverence for him grew. Even Franklin’s sometime antagonist John Adams mellowed. His earlier harsh criticisms, Adams explained in an 1811 essay, were in ways a testament to Franklin’s greatness: “Had he been an ordinary man, I should never have taken the trouble to expose the turpitude of his intrigues.” At times, Adams charged, Franklin was hypocritical, a poor negotiator, and a misguided politician. But his essay also included some of the most nuanced words of appreciation written by any contemporary: “Franklin had a great genius, original, sagacious and inventive, capable of discoveries in science no less than of improvements in the fine arts and the mechanic arts. He had a vast imagination. … He had wit at will. He had humor that, when he pleased, was delicate and delightful. He had a satire that was good-natured or caustic, Horace or Juvenal, Swift or Rabelais, at his pleasure. He had talents for irony, allegory, and fable, that he could adapt with great skill to the promotion of moral and political truth. He was a master of that infantine simplicity which the French call naivete, which never fails to charm.”

By this time Franklin’s view of the central role of the middle class in American life had triumphed, despite the qualms of those who felt that this represented a trend toward vulgarization. “By absorbing the gentility of the aristocracy