Authors:
Historic Era: Era 10: Contemporary United States (1968 to the present)
Historic Theme:
Subject:
September 2000 | Volume 51, Issue 5
Authors:
Historic Era: Era 10: Contemporary United States (1968 to the present)
Historic Theme:
Subject:
September 2000 | Volume 51, Issue 5
Unless you’ve never been online, visited a video-rental store, watched cable TV, or turned on the set in a modern hotel, you know how much technology has changed the landscape of sex in recent decades. Or at least the landscape of pornography. The information-technology revolution has not stopped at the bedroom door but burst through it, deluging us with X-rated cyber cams and DVDs and chat rooms and phone-call services. But something else has also happened: Not only have new technologies spurred innovation in pornography, but the opposite has occurred. Sex has become one of the forces shaping information technology.
Every new information technology since the printing press has spawned pornography. By the early 1500s, half a century after Gutenberg, an Italian named Pietro Aretino was making his living in the business. Almost as soon as there were photographs, there were dirty photographs, and on a very large scale: A London pornographer busted in 1874 possessed 130,000 of them. And, as soon as there were movies, there were dirty movies. But not until the second half of the twentieth century and the general relaxation of taboos about pornography did the relationship between it and technology become a two-way street.
That relationship has been the focus of a study by the historian of technology Jonathan Coopersmith, an associate professor at Texas A&M. His paper “Pornography, Technology and Progress,” published in a scholarly journal called Icon , reveals the wide variety of ways sex has first encouraged the acceptance of new technologies and later actually been part of the further development of those technologies.
This symbiosis had its first stirrings after World War II, when the introauction of 8mm cameras made home moviemaking easy and affordable for the first time. A funny thing happened: Camera stores quietly began stocking stag films to rent. These, according to a government report on obscenity, “served as a catalyst for the rental or purchase of movie projectors, screens, cameras, and other equipment.” Porn was, for the first time, demonstrably helping sell a new technology.
Over the following decades, of course, porn came into the open, with Hugh Hefner introducing Playboy in 1953 and the Supreme Court ruling that nothing could be considered obscene unless it was “utterly without redeeming social importance” in 1957. By 1972, when Deep Throat was released, hardcore was virtually mainstream.
Thus, as cable TV moved into people’s homes, formerly illicit fare moved in with it. But not until the arrival of the videocassette recorder and the video camera was that fare a prime force behind technology’s spread. The first VCRs, in the late 1970s, were not only very expensive but made in two competing formats, VHS and Betamax. Who would buy them? Pornography, Coopersmith shows, gave people not only a motive for purchasing the machines but also, at first, the only recorded tapes to use with them. Sexually explicit videotapes hit the stores in 1977, a year