Bit Part In A Big Theater (April 2000 | Volume: 51, Issue: 2)

Bit Part In A Big Theater

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April 2000 | Volume 51, Issue 2


It was the Summer of 1945. The fighting was over in Europe, Japan was on the brink of collapse, and I was on the island of Tinian in the Marianas, putting out a mimeographed newspaper and worrying the war might end before I got anywhere near the action. But in the coming weeks I found myself an obscure player in three immense events: the birth of the atomic age, the surrender of Japan, and the start of the Cold War.

One afternoon early in August I sat sweating in a Quonset hut complaining about distribution problems of the Tinian Times to Capt. Joe Buscher, an intelligence officer with the 393d Bombardment Squadron, a somewhat mysterious B-29 outfit. Buscher seemed preoccupied, and he interrupted our talk with a strange suggestion: “If I suddenly have to leave, why don’t you follow me, stick right with me, and if anybody asks who you are, tell them you’re with me. It’ll be something you’ll never forget.”

A few minutes later Buscher stiffened, grabbed his cap, and bounded out the door. I was right behind him as he rushed up to a truck that was discharging a group of men in flying gear. Out of the corner of my eye I noticed a gaggle of U.S. Army Air Forces brass greeting the fliers and recognized one of them as Carl Spaatz, commanding general of the Army’s Strategic Air Forces in the Pacific. Buscher pounced on one of the airmen, who was carrying a bulky instrument that proved to be a camera, and hustled him away from the group in the direction of another Quonset hut. I was two steps behind them as they entered what turned out to be a darkroom. The man with the camera quickly unloaded the film and deposited it in a tray of chemicals. Everybody crowded around him. No one spoke as the film was developed, dried, and put into an enlarger.

Finally the airman held up an eight-by-ten print, still dripping with developer. In the faint red glow of the darkroom’s safe light I beheld what would become one of the most memorable images of the twentieth century: the mushroom cloud rising over the city of Hiroshima. There was a collective gasp and mutterings of wonder from the group. My own reaction included bewilderment, since I had not been in on the atomic secret. The airmen, of course, were members of the crew of the Enola Gay , fresh from their historic mission. The 393d Bombardment Squadron was part of the 509th Composite Group, and the date was August 6, 1945.

My second brush with history began a few weeks later and had a comic-opera touch to it. It was prompted by Emperor Hirohito’s August fifteenth radio address announcing Japan’s surrender and ordering servicemen who had been bypassed by the twin American offensives across the Pacific