The Wonder and the Vapidities at Niagara Falls (September 1997 | Volume: 48, Issue: 5)

The Wonder and the Vapidities at Niagara Falls

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Historic Era: Era 10: Contemporary United States (1968 to the present)

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September 1997 | Volume 48, Issue 5

 

Niagara Falls is invariably, and quite properly, described as one of nature’s wonders. Yet, perhaps the greatest wonder is that it can still attract visitors in the 1990s. After all, there are no multimedia links and nothing to click on. A trip to Niagara Falls was considered hot stuff in Martin Van Buren’s day, but so were quilting bees and barn-raisings. Surely, Edison didn’t invent virtual reality and the internet so that people could keep traveling thousands of miles to watch water go over a cliff.

Yet they do keep coming—fourteen million a year—and mighty few leave disappointed. You can look at the falls for any length of time, from half a minute to several hours, without losing your initial sense of awe. Old-timers will tell you that today’s falls are nowhere near as impressive as they used to be, back before hydroelectric plants started siphoning off half the flow. Not that anyone around today actually saw the original falls; the first major power plant began operating in 1896. It’s just something that old-timers like to say. There’s talk of shutting down the power plants one day per year, to let people see what things were like in the nineteenth century. This would be a ploy to attract tourists, of course, but unlike most of Niagara Falls’ tourist schemes, it would actually have something to do with the falls.

Go a block or two from the highway that runs along the Canadian side of the Niagara River, and you could be in any slightly seedy (though very clean) amusement park. There’s the Movieland Wax Museum, Dinosaur Park, the Guinness World of Records Museum, Dazzleland, and Circus World. You can play miniature golf, ride go-carts, or get your picture taken as a daredevil. Souvenir shops proliferate, all selling fudge, for some reason.

Brought kids along? They’ll love the Criminals Hall of Fame Wax Museum, with replicas of Charles Manson, John Wayne Gacy, and a blood-smeared Jason, plus a new and thought-provoking exhibit on Jeffrey Dahmer. Just down the block is Ripley’s Moving Theater—tame by comparison, but worthy of mention because its ticket clerk has the worst job in North America: The House of Frankenstein is right next door, and she has to sit in her little booth and listen to its tape-recorded spiel, complete with shrieks and maniacal laughter, sixty times an hour.

In a class of its own is the blandly named Niagara Falls Museum. It has existed in some form, on one side of the falls or another, since 1827, and it looks it. Over the years the Niagara Falls Museum has absorbed a number of widely assorted collections to the point where eclectic hardly does it justice. At its best, the museum has an important assemblage of Egyptian mummies, as well as some of the barrels and other devices in which stunters have gone over the falls. At its worst, visitors confront glass case after glass case filled with