Stonewall Jackson’s Deadly Calm (December 1996 | Volume: 47, Issue: 8)

Stonewall Jackson’s Deadly Calm

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Authors: Robert K. Krick

Historic Era: Era 5: Civil War and Reconstruction (1850-1877)

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December 1996 | Volume 47, Issue 8

stonewall jackson
General Stonewall Jackson's "Chancellorsville" portrait was taken at a Spotsylvania County farm on April 26, 1863, seven days before his mortal wounding by friendly fire at the Battle of Chancellorsville. Library of Congress

“THERE WAS A WITHCERY IN his name,” a Mississippian wrote, “which carried confidence to friend and terror to foe,” Northerners victimized by Stonewall Jackson’s daring thrusts were hardly less laudatory. General Gouverneur K. Warren, on the verge of becoming a Federal hero at Gettysburg, wrote on hearing of Jackson’s death that he rejoiced for the Union cause, “and yet in my soldier’s heart I cannot but see him the best soldier of all this war, and grieve at his untimely end.” A New York newspaper praised Jackson as a “military genius” and declared, “Nowhere else will the name of Jackson be more honored.”

Americans North and South marveled—and still do—at Jackson’s exploits and at the rigid, pious, eminently determined person who produced them. He was in some ways so unlike his fellows but in many others so ordinary.

A confederate attending an 1897 reunion in Los Angeles read a short poem to his assembled comrades. Its reminiscent look at the mythic images of Jackson and Robert E. Lee closes with a couplet that deftly evokes the two: “…now and then/Through dimming mist we see/The deadly calm of Stonewall’s face/The lion-front of Lee.” That deadly calm continues to bemuse observers. It prompted a modern popular film producer in a fit of silliness to call Jackson a blue-eyed assassin. Serious students of the war respond to the imagery in ways that often reveal more about themselves than about the militant Presbyterian deacon who came, with Lee, to symbolize the Confederacy.

Thomas Jonathan Jackson (1824–63) reached the eve of the great American war without revealing any hint that he had the makings of a legend. For a land enamored of rags-to-riches tales, he personified the noble concept of rising from humble origins. Orphaned at an early age, sheltered in the homes of a series of relatives, ill educated, Tom Jackson reached his late teens without any real prospects for modest success, to say nothing of greatness. A chance to enter the United States Military Academy at West Point opened new vistas. It also threw in young Jackson’s path the intimidating prospect of competing in a rigorous academic environment with boys vastly better prepared for the challenge.

 

Nothing soluble by sheer hard work ever daunted Jackson. The youngster from western Virginia stayed in the West Point Hotel’s attic on June 19, 1842, and the next day began the academy’s entrance examinations. When the testing ended, his name appeared dead last on the list approved for admission. He applied himself to West Point’s curriculum with the same implacable determination that later made him a terror to his foes. A classmate recalled that his “efforts at the blackboard were sometimes painful to witness.” Whatever the problem