Authors:
Historic Era: Era 10: Contemporary United States (1968 to the present)
Historic Theme:
Subject:
December 1996 | Volume 47, Issue 8
Authors:
Historic Era: Era 10: Contemporary United States (1968 to the present)
Historic Theme:
Subject:
December 1996 | Volume 47, Issue 8
Under a dome of stars emerging from the darkening twilight, the air has a Christmasy nip to it and carries the scent of fires in nearby fireplaces, but the breeze is a mild Southern one. Candles, hundreds of them, are set about along the grand allée and around the circular drive in front of the Georgian brick governor’s palace. To one side carolers in capes and tricorns sing; their music wafts through the talk from the line of visitors waiting to enter the mansion. Garlands of boxwood and crab apple and tallow decorate the house’s portico, and candles light every window. I am at Tryon Palace in New Bern, North Carolina, home of the governor of the colony and later the first capitol of the state in the Revolutionary period, and we’re waiting to step inside to see just how it might have been in Christmas 1770. But Tryon Palace is only thirty-eight years old.
It dates from 1958, but it had been built before, in 1770, and built to last; Governor William Tryon spent 15,000 pounds to have it designed by the English architect John Hawks and erected by fine artisans from as far off as Philadelphia. In 1798, after the state capital had already moved west to Raleigh, Tryon Palace burned to the ground. It ceased to exist for a century and a half.
In 1941, Mrs. James Latham, a New Bern native married to a very successful cotton factor, proposed to fund the reconstruction and furnishing of the long-lost palace if the state of North Carolina would buy the land and maintain the place after it was complete. Her offer was accepted. Plans for the original building were tracked down, and researchers discovered inventories that imparted extensive knowledge of what the house had contained. In 1959, the brand-new duplication of the long-gone historic building opened to the public.
The tour starts in the marble entrance hall, where I and a dozen other visitors are told that we are attending a ball celebrating the birthday of George III and that in his lifetime Christmas was marked by churchgoing and socializing but not gift giving, “except,” the decent says, “perhaps a gift of a catechism to a child.” In the salmon-colored, candlelit governor’s library just off the entrance hall we learn that the recreation of the house has been so thorough that the four hundred volumes visible are all titles that Tryon owned—and even in the same editions.
Moving into the palace ballroom, we watch two pairs of bewigged men and long-gowned women step to the music of Henry Purcell played on a harpsichord. Above them, beyond festive arrangements of pomegranates and statice, full-length portraits of King George and Queen Charlotte glare out from either side of the grand fireplace.
In the dining room, the table is laden with eighteenth-century Christmas desserts: cream-puff pastry swans, jumbles, candied fruits, rose water cakes, marzipan, dried ginger, a molded blancmange, sugared apricots, and a plate