Authors:
Historic Era: Era 10: Contemporary United States (1968 to the present)
Historic Theme:
Subject:
Spring 2021 | Volume 66, Issue 3
Authors:
Historic Era: Era 10: Contemporary United States (1968 to the present)
Historic Theme:
Subject:
Spring 2021 | Volume 66, Issue 3
Editor's Note: Thomas C. Holt is the James Westfall Thompson Professor of American and African American History at the University of Chicago and a preeminent scholar of black heritage and descendants of the African diaspora in America. He adapted the following essay from his most recent book, The Movement: The African America Struggle for Civil Rights, published by Oxford University Press.
Perhaps nothing evokes the spirit of the Civil Rights movement era as much as the protest song “Freedom Is A Constant Struggle.” Part paean, part dirge, at once uplifting and cautionary, the song captured the hopes and sacrifices of a generation determined to make real the nation’s professed commitment to social and political equality. But equally important, it anticipated the enduring impact that that movement would have on the lives, consciousness, and destinies of those activated by it and those not yet born. Beginning with the declaration that “Freedom is a constant struggle” and ending with the plaintive hope “... O Lord I've struggled so long that I must be free,” the song evokes an image of lives transformed.
It was no accident that the seemingly plaintive refrain of the song became increasingly popular as the struggles of the 1960s grew more intractable and the list of movement martyrs grew longer. On picket lines and in mass meetings ordinary folk voiced a hard lesson handed down from African American generations past. Freedom is a prize won not in a single campaign, but in a long struggle waged by a determined and committed people. And, ultimately, it is not exceptional leaders but ordinary people themselves, conscious of the historical possibilities of their moment and acting collectively, who have the capacity to win that fight and change their world.
Thus framed as a summons to continued struggle, the song's plaintive cadence is subtly transformed, giving way to an undaunted resolve, resonant with the tempo of a people marching.
The Civil Rights movement has become a well narrated era of recent American history. Its images re-broadcast every January and February in tandem with celebrations of Martin Luther King Jr's birthday and Black History Month have far too often been reduced to select soundbites of King's eloquence. Even when supplemented with the image of Rosa Parks's iconic sit-in on that Montgomery bus, the movement is most often represented as the individual or collective acts of heroic and charismatic male leaders.
And yet a deeper examination of the movement reveals a resistance less driven by heroic male leaders showing the way than simply the accumulated grievances of ordinary citizens, newly conscious of