The Handy Man (September 1996 | Volume: 47, Issue: 5)

The Handy Man

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Authors: Gene Smith

Historic Era: Era 7: The Emergence of Modern America (1890-1930)

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September 1996 | Volume 47, Issue 5

As has been said of pornography, great art is impossible of complete definition, but we know it when we see it. And the greatest athletes, as with great generals and great violinists, are master artists. A million kids play baseball. One was Babe Ruth. Guys punch each other in the nose. One and only one was Jack Dempsey. The equal of these two in capacity and status during their mutual golden age of sports was the jockey Earl Sande. Anyone can ride a horse, sure. But, said Damon Runyon, someone like the Handy Man, Handy Earl Sande, comes along once in about every 90 years.

Sande had a great seat on a horse with perfect balance and movement in wondrous consonance with the animal; he had hands that could hold the 20th Century Limited yet sense from the reins the precise instant to cease restraining and start urging; he had exquisite timing and knew with blink-of-eye intuitive recognition to swing out or go inside now ! And he had the guts to do so. He sat coldly motionless while it seemed the others were getting away; then he came on, never using too much of his mount, always doing just what was necessary and what was possible. Horses have to run for some riders; for Sande they wanted to. As a kid just months past voting age he was up on Man o’ War to cruise to victory at Saratoga. He took three Kentucky Derbies. One year, he won 39 major-stakes races, an almost unbelievable achievement. At the old Havre de Grace track in Maryland, he once rode seven horses of the day’s card and came in first with six of them.

Many jockeys off a horse are found to be unforthcoming and very tough little men. Sande was expansive and had a charming grin. He loved to sing—warbling to horses as he worked them in the morning—and, booked into the Stork Club, held the room while showing a delightful personality. Yet his life story, says the columnist-author Jimmy Breslin, “ranks with the saddest in sports.” “One of the most pathetic,” says the racing writer John H. Clark.

That is what has come always to be said about Sande. Maybe it is true. Maybe not.

He was 12, a Norwegian-ancestry kid growing up near American Falls, Idaho, when he bought a filly for three 5-dollar gold pieces, four ducks, and a bicycle frame. He rode her at informal race meetings. In 1917, he went to the Fair Grounds track in New Orleans, spent mornings walking hots—leading around and around for an hour horses that needed cooling down after a workout—and then got a chance to be a jock. In January 1918, he won on Prince S., who, the Racing Form chart noted, showed “vastly improved form over previous races.”

 

The golden decade dawned, the fabulous 20s, and Sande was up there with Red Grange, Big Bill Tilden,