Authors:
Historic Era: Era 10: Contemporary United States (1968 to the present)
Historic Theme:
Subject:
November 1994 | Volume 45, Issue 7
Authors:
Historic Era: Era 10: Contemporary United States (1968 to the present)
Historic Theme:
Subject:
November 1994 | Volume 45, Issue 7
“Why do you people treat this as a big-deal court matter? It’s not precedent-setting. The lawyers are good, but they’re hardly headliners. You don’t even have a murder. Nothing, in fact, but sex and money.”
“What else do you need?” asked the reporter.
Well, one would have to admit, nothing, if the legal system’s role is entertainment. In a sense, we do think of the courtroom as theater. Every trial is inherently a dramatic production, a play, with plot, actors, audience, even authoritative critics whose collective review permanently determines success or failure. Perhaps that is why from the country’s earliest times ordinary people have derived pleasure from merely watching lawsuits.
A great judge, Learned Hand, once ranked litigation with serious illness or death as an experience to avoid. He was speaking, however, to the actual participants, not to the bystanders. Lawsuits have always furnished us with entertainment—not merely the catharsis of stage drama but the vicarious triumph and defeat of an athletic event. Litigation, after all, is also spectator sport, with clearly definable winners and losers and an identified stake. Criminal prosecution, medical-malpractice trial, libel suit, or child-custody battle—all of them engage our voyeurism and our vicarious participation. We exult with the victor, or we take from our commiseration with the vanquished the satisfaction of knowing that the problem is not ours.
In a country where stage plays were at best rare commodities, if not entirely illegal (Massachusetts barred them until the 1790s), and newspapers appeared much less frequently than daily, the circuit court, coming to the county seat once or twice a year, provided the only live entertainment. When the main show included a conviction for murder or rape, the pastime produced a coda: public execution.
Law, as opposed to in-court activity, has always permeated American society. Our basic charters are, after all, nothing but legal documents: the Declaration of Independence, a wide-ranging indictment of George III; the Constitution, a carefully drafted tripartite contract among people, states, and national government. It hardly surprises us, therefore, that in Tocqueville’s famous phrase, every political issue turns sooner or later into a legal question.
This acute observation deals, however, with what one might fairly call the governmental role of law. It perceives law as a dominant, pervasive spirit, controlling and regulating the overall working of the entire body politic. Yet, at about the time that Tocqueville was sketching that magisterial view of law in the new country, another visitor was noting American attachment to law on a different, more personal level.
“The Americans are fond of law in one respect,” wrote the