Getting Right with Robert E. Lee (May/June 1991 | Volume: 42, Issue: 3)

Getting Right with Robert E. Lee

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Authors: Stephen W. Sears

Historic Era: Era 5: Civil War and Reconstruction (1850-1877)

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May/June 1991 | Volume 42, Issue 3

In 1905, on a visit to Richmond, the noted man of letters Henry James was struck by the sight of the equestrian statue of Robert E. Lee high atop its pedestal overlooking Monument Avenue. There was about it, James thought, “a strange eloquence … a kind of melancholy nobleness.” Something in the figure suggested “a quite sublime effort to ignore, to sit, as it were, superior and indifferent … so that the vast association of the futile for the moment drops away from it.” Several decades later Lee’s biographer Douglas Southall Freeman passed the Lee statue in Richmond daily and invariably saluted it. “I shall not fail to do that as long as I live,” Freeman said. Lee has that effect on people. For almost a century and a third, Americans, Northerners and Southerners, have been trying to get right with Robert E. Lee.

Such is the paradox of the man that today both those who consider General Lee a detriment to the Confederacy and those who consider him an undefiled military genius reach the same conclusion: The South would have been better off without him. The detractor says Lee squandered the South’s slim resources of men and matériel, destroying any chance for ultimate Confederate victory; the admirer says that without Lee the Confederacy would have crumbled early, thus saving numerous Southern lives and much Southern suffering. It is at least safe to say that the course of the Civil War as we know it would have been very different without this one man.

 
Creating the mythic Robert E. Lee began only after his death, for, in life, he would never have permitted it.
 

Getting right with Lee has never been a simple task. Mary Chesnut, who observed him carefully during the war, wondered if anyone could really know him: “He looks so cold and quiet and grand.” When Lee took command of the Army of Northern Virginia in 1862, writes Bruce Catton, “This gray man in gray rode his dappled gray horse into legend almost at once, and like all legendary figures he came before long to seem almost supernatural, a man of profound mystery.” To the poet Stephen Vincent Benét, Lee was:


A figure lost to flesh and blood and bones,


Frozen into a legend out of life,


A blank-verse statue —…


For here was someone who lived all his life


In the most fierce and open light of the sun


And kept his heart a secret to the end


From all the picklocks of biographers.

Benét called him “the marble man.”

In the aftershock of Appomattox, most Southerners were not immediately drawn to idolizing their generals. The war, after all, had been lost on the battlefields, and now there was nothing at all to celebrate except the end to the killing.