The American Civil War And The Origins Of Modern Warfare (March 1990 | Volume: 41, Issue: 2)

The American Civil War And The Origins Of Modern Warfare

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Authors: Edward Hagerman

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March 1990 | Volume 41, Issue 2


Yale University Press; 239 pages.


Indiana University Press; 366 pages.

The first modern war or the last old-fashioned war? That question engages two historians seeking to define the Civil War, and their answers are as different as their books. Edward Hagerman, from the perspective of York University in Toronto, states his case unhesitatingly in his title— The American Civil War and the Origins of Modern Warfare . Paddy Griffith, a Briton, reaches exactly the opposite conclusion in Battle Tactics of the Civil War .

British military writers have long displayed a fascination with America’s Civil War. G. F. R. Henderson produced a widely read biography of Stonewall Jackson, and J. F. C. Fuller studied Grant’s generalship. B. H. Liddell Hart named William Tecumseh Sherman the first modern “man of war.” Paddy Griffith, a lecturer in war studies at the Royal Military Academy at Sandhurst, carries on this transatlantic tradition, but with a result more controversial than that of his predecessors.

Griffith acknowledges that a good deal about the Civil War looked forward instead of backward—the use of railroads and steamships, the industrial mobilization, innovations such as ironclad warships and the telegraph. He notes the indecisive outcome of many Civil War battles, as attacking armies repeatedly failed to overwhelm defending armies, which supposedly marks “the dividing line between the warfare of the past and that of the present, the moment at which Napoleonic conditions ceased to apply and First World War conditions took over.” He sees a falsity about this picture, however. Looking closely “with new eyes,” he concludes that the Civil War was in reality “the last Napoleonic War.”

There is no question that Americans went to war in 1861 with Napoleon on their minds. The South’s first hero, Gen. Pierre Gustave Toutant Beauregard, came to be called the Napoleon in Gray. Northerners christened their first hero, Gen. George B. McClellan, the Young Napoleon. Drill manuals for both armies were distillations of the French system of training, and betterread officers pondered Bonaparte’s maxims. The war’s most widely used artillery piece was the 12-pounder Napoleon (named, however, for the emperor’s nephew, Napoleon III). And the latest in infantry arms—Springfield and Enfield rifles—owed their adoption to an innovation by Capt. Claude Etienne Minié of the French army. These rifles attract Griffith’s particular attention; they are critical to his theory about the Civil War.

Springfields and Enfields were weapons for a new age thanks to their rifling—the spiral grooves cut inside their barrels. Captain Minié’s contribution was the bullet he perfected for these rifles. It was cylindrical, and on firing the rim of its hollow base splayed outward to fit snugly into the rifling grooves, which then imparted a spin to the bullet as it left the barrel. The new rifles were muzzle-loaders, like the old smoothbores, but their advantage