The New Deal and the Guru (March 1989 | Volume: 40, Issue: 2)

The New Deal and the Guru

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Authors: J. Samuel Walker

Historic Era: Era 8: The Great Depression and World War II (1929-1945)

Historic Theme:

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March 1989 | Volume 40, Issue 2

Early in 1934, Secretary of Agriculture Henry A. Wallace appointed Nicholas Roerich, a renowned painter and a self-proclaimed guardian of world peace and culture, to lead a scientific expedition to North China and Manchuria, to search for drought-resistant grasses that might revive the Dust Bowl. By the time the project ended, in 1935, the eccentric artist had compromised America’s diplomatic position in Asia, embarrassed the Roosevelt administration, humiliated Wallace, and damaged the careers of several botanists. And he had not advanced the cause of combating the drought in the United States.

The episode—one of the most bizarre in the history of the New Deal—began with Henry Wallace’s infatuation with Roerich’s mystical philosophy. Born in St. Petersburg, Russia, in 1874, Roerich had studied painting, drawing, and archeology in various academies, and had become president of the Society for Encouragement of Fine Arts in Russia and a noted theater designer—he created the sets and costumes for the epochal 1913 Nijinsky premiere of Stravinsky’s The Rite of Spring. He emigrated from Russia a short time after the Bolshevik Revolution, apparently by his own choice, and after a brief stay in England moved to the United States, arriving in New York City in 1920.

At first, Roerich had a hard time here, living modestly while selling paintings and designing stage sets. But then Louis L. Horch, a wealthy New York broker, and his wife, Nettie, became greatly impressed by Roerich and spent large sums settling Roerich’s debts and financing his activities. Roerich claimed he had the ability to communicate with the spiritual sphere through “automatic writings.” With his eyes covered, the artist could record thoughts and instructions from another world—on one occasion he received specific directions on how to raise funds to build a museum in New York to display Roerich’s work.

In 1925, Roerich went off to India and Tibet to paint a “great panoramic series of works” and to translate “original manuscripts, folk lore, and artistic material of these countries.” At Horch’s expense he traveled widely in Asia for four years. While there, he generated so much turmoil that the British Foreign Office labeled him an “unbalanced individual.” He claimed to have discovered a manuscript in a Tibetan monastery proving that Christ had lived and preached in India as a young man. He also made a mysterious trip to the Soviet Union, where he apparently conferred with government officials. Subsequently he wrote books praising the Soviet system and describing both Christ and Buddha as communists, but the United States State Department found no convincing evidence that linked him “in any way with communist movements.” At any rate, he eventually severed his ties with Russia in favor of a fantastic scheme to create an autonomous state under his leadership in Siberia.

While Roerich was traveling in Asia, a writer named Frances Grant who admired him wrote adulatory articles and pamphlets. Her efforts, along with his genuine artistic ability, helped win him an enviable international reputation as a