My Ancestor, The Wizard (August/September 1984 | Volume: 35, Issue: 5)

My Ancestor, The Wizard

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Authors: Joseph Jacobs Thorndike Jr.

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August/September 1984 | Volume 35, Issue 5

WHEN A PUBLICATION wants to illustrate the story of Salem witchcraft, it often runs the painting The Trial of George Jacobs for Witchcraft , which hangs in the Essex Institute, Salem’s historical archive. The central figure, an old man with long, white hair, is kneeling before the court, with arms outstretched, asking mercy. A few feet away a girl of sixteen is pointing an accusing finger at him; she is his grand-daughter, Margaret. Behind Margaret a middle-aged woman reaches out to restrain the girl; that is her mother, Rebecca Jacobs, the wife of George, Jr., the old man’s son. In a cluster at one side of the judges’ bench, the hysterical teen-age girls who started all the trouble writhe and scream to demonstrate how the old man is tormenting them. On the bench are the judges who condemned George Jacobs to death by hanging.

 

The picture was painted in the nineteenth century by Tompkins Harrison Matteson, an artist and onetime actor who gave full rein to his theatrical instincts. When I was taken to see it as a boy, I was interested to learn that George Jacobs was my ancestor, eight generations back. But I could not feel any kinship with a figure so remote in time and beliefs. I could identify with ancestors who were farmers or seafarers or leather workers. But a wizard? As a child of eighteenth-century reason and nineteenth-century progress, I could not comprehend the superstition of the seventeenth century.

Fifty years later something led me to take a second look at George Jacobs. Perhaps it was the fact that the delusions and persecutions of the twentieth century have lent new credibility to the strange spell that seized the Massachusetts Bay Colony in 1692. Perhaps it was the new fashion for genealogy. Mostly it was the questions I was asked about the family by my sons. At heart I still felt that witches and wizards were for fairy tales and Halloween.

George Jacobs evidently thought so too, as I found out recently when I looked up the court record of his examination. “Witch bitches” he called the mischievous girls who were crying out against respectable citizens. He doubtless agreed with his neighbor John Procter, who said that the only way to treat such a girl was to set her down at a spinning wheel and not let her up until she got over her foolishness.

The trouble had started a couple of miles from Jacobs’s farm in the house of the Reverend Samuel Parris, minister of Salem Village, where little Betty Parris and her friends had been excited by the voodoo tales of a West Indian household slave named Tituba. Jacobs knew all about it because his own servant, Sarah Churchill, had lately begun to attend some of their sessions. Most of the girls were in their teens or younger, but Sarah was twenty. It may be guessed that, in order to win acceptance in