Authors:
Historic Era:
Historic Theme:
Subject:
August/September 1982 | Volume 33, Issue 5
Authors:
Historic Era:
Historic Theme:
Subject:
August/September 1982 | Volume 33, Issue 5
Charles Weller was at his post in the Western Union office in Milwaukee one day in 1867 when his friend Christopher Sholes came in. With the long, tragic face of an El Greco martyr, Sholes looked to be nothing less exalted than a poet, but in fact he was collector of customs for the city. He liked to invent things on the side, and that was why he had come to see Weller: he wanted a piece of carbon paper for an experiment. “What kind of experiment?” Weller asked, handing over the paper. Sholes wouldn’t say, but he invited Weller to come around the next day and see for himself.
When Weller went over to Sholes’s office in the Federal Building on his lunch hour, he found the inventor with an inscrutable device from which a telegraph key sprouted. Holding a sheet of paper and the carbon in the machine with his left hand, Sholes tapped the key with his right, then gave the paper to Weller, who read: W W W W W W W W W. The key had batted a single typebar upward against the paper.
Years later Weller maintained that he had been impressed immediately, though it would have taken a man of formidable imagination to see in that mild parlor trick the birth of the typewriter.
Indeed, there are those who claim the event was no such thing. No invention has a more tangled provenance. Even one of Sholes’s most faithful backers describes him as “the fifty-second man to invent the typewriter,” and Michael Adler, the waspish British authority, says, “If one … starts with Henry Mill then [Sholes] was, in fact, at least 76th and perhaps as much as 112th.”
Of Mills’s standing, at least, there is no doubt: on January 7,1714, Queen Anne granted her countryman a Royall Letters Patent to manufacture “an artificial machine or method for the impressing or transcribing of letters singly or progressively one after another, as in writing, whereby all writings whatsoever may be engrossed in paper or parchment so neat and exact as not to be distinguished from print.” Even if Mill didn’t actually build his typewriter—and there’s no indication that he did—he was the first to describe the device.
In the mid-1700s attempts were made to hook writing machines to harpsichord keyboards; in 1808 an Italian nobleman built one for a blind countess; the American surveyor William Burt patented his in 1829; and in 1857 a Dr. Samuel Francis gave his invention the ravishing name of “Literary Piano.” In the 186Os an Alabaman named John Pratt developed a writing machine that proved no more practical than its predecessors. Pratt’s device, however, appeared in Scientific American with the editorial comment that fame and fortune awaited the man who got it right. Sholes saw an issue.
Building such a writing machine might have seemed the next logical step to Sholes, who had just received a patent for a device that serially numbered