Apollo: Through the Eyes of the Astronauts, Edited by Robert Jacobs, Michael Cabbage, Constance Moore, and Bertram Ulrich (Summer 2009 | Volume: 59, Issue: 2)

Apollo: Through the Eyes of the Astronauts, Edited by Robert Jacobs, Michael Cabbage, Constance Moore, and Bertram Ulrich

AH article image

Authors: Tom Jones

Historic Era: Era 10: Contemporary United States (1968 to the present)

Historic Theme:

Subject:

Summer 2009 | Volume 59, Issue 2

 My favorite photo in this boldly styled book is a sweeping panorama of  the Moon’s Taurus-Littrow Valley, taken by Apollo 17 commander Gene Cernan. Jagged, starkly lit boulders litter the foreground, while surrounding massifs shoulder their way into a black sky. Mid frame right, the tiny figure of astronaut and geologist Harrison “Jack” Schmitt, sampling scoop in hand, lopes purposefully into the unknown. Man is at work on the Moon; the alien scene captures the wonder of the Apollo landings and tantalizes us with the potential discoveries yet to be made on the Moon, the asteroids, and Mars. Apollo: Through the Eyes of the Astronauts is especially welcome now, because this summer marks the 40th anniversary of Apollo 11, which landed the first humans on the Moon. The editors of this slim but photopacked volume asked 21 men, the survivors of the 29 who flew on Apollo’s 11 missions, to pick a favorite image from their expeditions and share their impressions. Each of the 11 chapters begins with a brief mission summary, then presents a series of images that pull us into the lunar journey. The astronauts bring stark moonscapes and gleaming spacecraft into sharp focus for the millions who yearned to go with them and for those discovering their adventures for the first time.

NASA lent the talents of its best public affairs specialists, photo experts, and consultants to select and reproduce the images: Dick Underwood helped train the Apollo astronauts in photography, and no one can match Mike Gentry’s ability to find that one perfect image among the hundreds of thousands in NASA’s archives. I found only one mistake: a caption describes a lovely shot of Apollo 14’s LM-8 Antares as showing the lunar module abandoned and adrift, its work on theMoon complete. But Antares still has her descent stage and spidery Mitchell are actually about to descend in Antares to the hills of Fra Mauro.

Many of the images are familiar standouts from NASA’s collections, but here the numerous 10-inch-square reproductions are especially satisfying. I was happy to see not just space-based images, but many photos of Apollo crews before and after their missions. Those portraits reflect the astronauts’ nervous confidence, intense focus in flight, emotional release when bound for Earth, and buoyant exhilaration upon their successful, safe return. Particularly appropriate was the choice to include photos and essays from the early Apollo test flights, not just from those that reached the Moon. All took on significant risks tomeet President Kennedy’s lunar landing deadline. Apollo 7’s Wally Schirra, Donn Eisele, and Walt Cunningham flew the first manned Apollo command module, extensively redesigned after the 1967 fire that killed three comrades.

Apollo 8 swept Americans into the lunar orbit for the first time, and Frank Borman, Jim Lovell, and Bill Anders captured that iconic image of their achingly beautiful home world rising above the Moon’s blasted horizon. Jim McDivitt and Rusty Schweickart of Apollo 9 trusted their lives to their fragile lunar module; it would have to work perfectly