Joe Hill (October 1976 | Volume: 27, Issue: 6)

Joe Hill

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Authors: Richard F. Snow

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October 1976 | Volume 27, Issue 6



I dreamed I saw Joe Hill last night, Alive as you and me. Says I, “But Joe you’re ten years dead, I never died,” says he, I never died,” says he.

That powerful ballad, written in 1925 by the poet Alfred Hays, was heard again and again during the great demonstrations of the 1960’s. Chances are that not one in ten of the people singing it knew who Joe Hill was, and yet there was that oddly potent name reverberating through the streets of America more than a half century after the man who bore it was executed by a Utah firing squad.

Joe Hill was the foremost songwriter of the Industrial Workers of the World. The I.W.W. was a singing union. From its inception in 1905 this revolutionary organization had to compete with Salvation Army street bands for the attention of the disaffected and migratory workers it sought to recruit. The songs—for the most part new words to the popular tunes of the day—were published in the Little Red Song Book , which by 1913 was being printed in runs of fifty thousand. The Wobblies were never short of songwriters, but as one of them said, “The minute [Joe Hill] appeared with his first, and then his second song, we all knew he was the great one.”

Hill pretty much stepped out of the mists, and we don’t know much about his life. He was born in 1879 to a large, poor, God-fearing family in Gävle, Sweden, and christened Joel Hagglund. He came to America in igoa and drifted about from job to job, traveling west from New York City. He saw enough on the road to convince him that the capitalist system was evil, and he probably joined the Wobblies sometime in 1910. The next year the first and most famous of his songs appeared in the Little Red Song Book . Called “The Preacher and the Slave,” it was set to the tune of “In the Sweet Bye and Bye”:


You will eat, bye and bye, In that glorious land above the sky; Work and pray, live on hay, You’ll get pie in the sky when you die.

The song was phenomenally successful; within the year it was being sung in hobo jungles, migrant workers’ camps, and jails across the nation. Hill followed it up with a score of others; harsh and vernacular, full of gritty humor and simple Marxism, they could be heard wherever Wobblies congregated.

Hill quickly became a popular hero, although, in an organization that stressed camaraderie and brotherhood, the man himself stood oddly apart. He was not much of an orator, and he liked to keep to himself. He was