Authors:
Historic Era:
Historic Theme:
Subject:
August 1955 | Volume 6, Issue 5
Authors:
Historic Era:
Historic Theme:
Subject:
August 1955 | Volume 6, Issue 5
It was a great event in the upstate New York villages of the Finger Lakes country, during the late 1840’s, when George J. Mastin came to town with his “Unparalleled Exhibition of Oil Paintings.” First there appeared broadsides on barn doors and in tavern barrooms describing the fourteen huge paintings (8 x 10 feet, most of them) and promising a religious and historical lecture by Mr. Mastin explaining the paintings; there would also be clog dancing by the Erin Twin Brothers, comic songs and a demonstration of phrenological reading.
A day or so after the broadsides were posted came the show and its impresario. The paintings, done on bedticking and rolled up in a long, stout wooden box, were transported from town to town in a farm wagon and carefully hung in the sheds of the local tavern, or in the ballroom, if it were big enough. The show was always at night when twenty flickering candles added movement and excitement to the crude but vivid and forceful work of the unknown artists. Sometimes Mastin would take out his violin and fiddle for dancing. Fiddling and phrenology, lecturing on history and religion, were his pastimes; by trade a tailor, he was later to be a country storekeeper and farmer. He lived a long life over in Genoa and Sempronius, from 1814 to 1910, and seems to have enjoyed himself all the way.
A man could understand without any difficulty the pictures that George Mastin had hired some good sign or carriage painters to do for him. When he lectured before each picture, it all seemed very moving and very real. Five of the canvases were scenes right out of the Bible. Then there were five exciting pictures from American history. But the great drawing card was the series of four which depicted in horrifying, bloody detail the murder of the spectators’ own good neighbor, John G. Van Nest, his wife, his baby son, and mother-in-law—all four of them brutally stabbed to death in a few minutes by that crazy colored fellow, Bill Freeman, in their home just south of Auburn.
From mid-March, 1846, to the summer of 1847 the Van Nest murders were a favorite topic of conversation in those parts. They raised a lot of questions. For example, how could you tell if a man was crazy? And if he was crazy and committed a murder, was that any reason not to hang him? And why would a man like ex-Governor William H. Seward, one of the leading lawyers in the state, of his own accord and for no fee, defend this villain?
Bill Freeman was born in the small upstate New York village of Auburn in September, 1823, and all the cards were stacked against him from the beginning. His father, who died insane, was a freed slave; his mother, part Negro, part Indian, a heavy drinker. One uncle became a wandering lunatic and