Story

Drama at the Old North Bridge

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Authors: Rick Atkinson

Historic Era: Era 3: Revolution and the New Nation (1754-1820s)

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Spring 2025 | Volume 70, Issue 2

Editor's Note: Rick Atkinson is a Pulitzer Prize-winning historian and winner of the prestigious George Washington Book Prize for The British Are Coming: The War for America, Lexington to Princeton, 1775-1777, in which portions of this essay appeared. Mr. Atkinson's most recent book, published this month, is The Fate of the Day The War for America, Fort Ticonderoga to Charleston, 1777-1780, the second book of his trilogy on the Revolution.

By early morning on April 19, 1775, Concord was ready for the redcoats. Paul Revere had been captured by a British mounted patrol at a bend in the road near Folly Pond, but William Dawes managed to escape at a gallop. Continuing his charmed morning, Revere — saucy and unrepentant, even with a pistol clapped to his head — was soon released, though without his brown mare, to make his way on foot to the Clarke parsonage in Lexington. But others had carried warnings into Concord, where a sentinel at the courthouse fired his musket and heaved on the bell rope. The clanging, said to have “the earnestness of speech” and pitched to wake the dead, soon drove all fifteen hundred living souls from their beds.

Suddenly, eight hundred British soldiers hove into view, moving like a scarlet dragon on the road.

Reports of the earlier shooting in Lexington “spread like electric fire,” by one account, though some insisted that the British would only load powder charges without bullets. Many families fled west or north, or into a secluded copse called Oaky Bottom, clutching the family Bible and a few place settings of silver while peering back to see if their houses were burning. Others buried their treasures in garden plots or lowered them down a well. Boys herded oxen and milk cows into the swamps, flicking at haunches with their switches.

amis doolittle north bridge
An engraving by Amos Doolittle depicts the first engagement between the British and colonials at the North Bridge, a timber frame structure that crossed the Concord River just north of the village. NYC Public Library

Militiamen, alone or in clusters or in entire companies with fife and drum, rambled toward Concord, carrying pine torches and bullet pouches, their pockets stuffed with rye bread and cheese. They toted muskets, of course — some dating to the French war, or earlier — but also ancient fowling pieces, dirks, rapiers, sabers hammered from farm tools, and powder in cow horns delicately carved with designs or calligraphic inscriptions, an art form that had begun in Concord decades earlier and spread through the colonies. 

“Hannah, take good care of the children,” Capt. Isaac Davis told his wife before leaving home to meet his fate at the North Bridge. 

Some wore “long stockings with cowhide shoes,” a witness wrote. “The coats and waistcoats were loose and of huge dimensions, with colors as various as the barks of oak, sumac, and other trees of our hills and swamps could make them.” In Acton, six