Story

“I Am Become Death…”

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Authors: Richard Rhodes

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October 1977 | Volume 28, Issue 6

In the life of J. Robert Oppenheimer — the American physicist and scientist-statesman who directed the building of the first atomic bombs at Los Alamos, New Mexico, during World War II, whose government, discerning “fundamental defects” in his character, denied him security clearance in 1954, who died of throat cancer in 1967— some have professed to see embodied the moral ambiguities of twentieth-century science, science charging breakneck over human institutions, scientists waking compromised from Faustian dreams. These are tabloid notions, but Oppenheimer did live at the center of the century’s most disturbing contradictions, and struggled with them, and suffered for them, and if he is often taken as their protagonist, it is partly because he was a man of disturbing contradictions himself.

He was an authentic genius, the brightest of his generation, who never earned a Nobel Prize and to whose name no seminal scientific contributions today attach; a man of fierce, lively energy who brooded endlessly on death; a man of great personal warmth and devotion whose colleagues say they never knew him well; a man of gentleness who frequently lashed out with contemptuous sarcasm to cause others pain; a man of integrity who voluntarily sacrificed many of his students and friends to the Torquemadan mercies of Army Counter-intelligence and the FBI; a loyal patriot who was subjected to public humiliation at McCarthyesque hearings and whose security clearance, once denied, was never, to the end of his life, restored; a man dedicated more profoundly than most men to peace who helped inflict on the world its most terrifying instruments of war. Some of these contradictions have been, or can be, resolved. Others may never be, because he reserved his privacy as rigorously as did Thomas Jefferson, whose reach of mind his own resembled. But like all men — like Jefferson, too — J. Robert Oppenheimer left behind his tantalizing clues.

He was born to prosperity working up to wealth, in New York City, on April 22,1904. Three Van Goghs, a Picasso, a Renoir would decorate the living room of his family’s spacious apartment by the time he left for Harvard. According to his birth certificate, he was christened Julius Robert; he carried through life only the initial, insisting it stood for nothing at all, but Julius was his father’s name. Julius Oppenheimer, a vigorous and idealistic man, had emigrated from Germany in 1887 to join his uncle’s textile-importing firm and at age thirty, in 1900, became a partner. He married Ella Friedman in 1903.

Robert Oppenheimer’s mother was beautiful and a painter. She had studied impressionist technique in Paris and taught from her own studio in New York. She wore long sleeves always, and a chamois glove; her right hand was congenitally unformed. She was loving but severely disciplined, a descendant of a dignified Baltimore family; she engendered in her son, by the time he grew to be a man, a courtliness that even Europeans sometimes found extravagant; in her presence no one presumed to raise