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The Cyclone Assemblyman

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Authors: Edmund Morris

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February/March 1979 | Volume 30, Issue 2

The complex character and the extraordinary capacities of Theodore Roosevelt have attracted biographers and readers ever since his death sixty years ago. But according to Edmund Morris, Roosevelt’spre-presidential career has escaped the full scrutiny of historians. In an absorbing new biography, The Rise of Theodore Roosevelt, Morris helps fill that gap. A Kenyan by birth, Morris is now an American citizen, and this is his first book. It will be published later this month by Coward, McCann & Geoghegan. The following excerpt tells the story of the twenty-three-year-old Roosevelt, exploding onto the political stage in his first public role, as a newly elected Republican state assemblyman from New York.

Assemblyman Theodore Roosevelt arrived in Albany in seventeen-degree weather, late on the afternoon of Monday, January 2, 1882. His wife, Alice, had gone to Montreal with a party of friends and would not be joining him for another two weeks. They could look for lodgings then. In the meantime he checked into the Delavan House, a rambling old inn with whistly radiators, immediately opposite the railroad station. Apart from the fact that it was conveniently located, and boasted one of the few good restaurants in town, the Delavan was honeycombed with seedy private rooms, of the kind that politicians love to fill with smoke; hence it functioned as unofficial headquarters of both Republicans and Democrats during the legislative season.

The Assembly was not due to open until the following morning, but Roosevelt had been asked to attend a preliminary caucus of Republicans in the Capitol that evening, for the purpose of nominating their candidate for Speaker. He thus had only an hour or two to unpack, change, and walk up State Street to the Capitol.

To say that Theodore Roosevelt made a vivid first impression upon his colleagues would hardly be an exaggeration. From the moment that he appeared in the caucus room, there was a chorus of incredulous and delighted comment. Memories of his entrance, transcribed many years later, vary as to time and place, but all share the common image of a young man bursting through a door and pausing for an instant while all eyes were upon him- an actor’s trick that quickly became habitual. This gave his audience time to absorb the full brilliancy of his Savile Row clothes and furnishings. The recollections of one John Walsh may be taken as typical: “Suddenly our eyes, and those of everybody on the floor, became glued on a young man who was coming in through the door. His hair was parted in the center, and he had sideburns. He wore a single eye-glass, with a gold chain over his ear. He had on a cutaway coat with one button at the top, and the ends of its tails almost reached the tops of his shoes. He carried a gold-headed cane in one hand, a silk hat in the other, and he walked in the bent-over fashion that was the style with the