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What We Lost In The Great War

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Authors: John Steele Gordon

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July/August 1992 | Volume 43, Issue 4


Many ingenious lovely things are gone That seemed sheer miracle to the multitude… —W. B. Yeats

A few years ago I wrote a book called The Scarlet Woman of Wall Street about a place and a people that flourished in the nineteenth century: the New York City of the 1860s and 1870s. We might call it Edith Wharton’s New York. Mrs. Wharton herself wrote late in her life, in the 1930s, that the metropolis of her youth had been destined to become “as much a vanished city as Atlantis or the lowest level of Schliemann’s Troy.” To those of us who know the modern metropolis—what we might call Tom Wolfe’s New York—that city of only a century ago seems today as far away and nearly as exotic as Marco Polo’s Cathay.

What happened to Edith Wharton’s world? Why does the society our grandparents and great-grandparents lived in seem so very much a foreign country to us today?

To be sure, Edith Wharton’s New York was a still-provincial city of horses and gas lamps, Knickerbockers and Irishmen, brownstones and church steeples. Its population was characterized by a few people in top hats and a great many people in rags, for in the 1860s grinding poverty was still thought the fate of the majority of the human race.

In contrast, Tom Wolfe’s New York—far and away the most cosmopolitan place on earth—is a city of subways and neon, Korean grocers and Pakistani news dealers, apartments and skyscrapers. If poverty has hardly been expunged, the percentage of the city’s population living in want has greatly diminished even while society’s idea of what constitutes the basic minimums of a decent life has greatly expanded.

It was constant, incremental change that brought about these differences, a phenomenon found in most societies and all industrial ones. Indeed, one of the pleasures of growing old in such a society, perhaps, is that we come to remember personally—just as Edith Wharton did—a world that has slipped out of existence.

But this sort of change comes slowly and is recognized only in retrospect. As the novelist Andrew Holleran explained, “No one grows old in a single day.” Rather, something far more profound than incremental change separates us from Edith Wharton’s world, and we look at that world now across what a mathematician might call a discontinuity in the stream of time.

Only rarely in the course of history does such a discontinuity occur and turn a world upside down overnight. When it does happen, it is usually as the result of some unforeseeable cataclysm, such as the volcanic explosion that destroyed Minoan civilization on the island of Crete about 1500 B.C. , or the sudden arrival of the conquistadors in the New World three thousand years later.

Edith Wharton’s world suffered just such a calamity. The diplomat and historian George Kennan called it “the seminal catastrophe