New York City

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<p><span class="deck"> Everyone from presidents to swindlers sailed the Sound on “Mammoth Palace Steamers” in the heyday of the sidewheelers</span> </p>

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<p><span class="deck">John Roebling lost his life and his son lost his health, but after sixteen years the incredible Brooklyn Bridge was finished</span></p>

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<p><span class="deck"> Maria Monk’s lurid “disclosures” and Samuel Morse’s dire warnings launched a crusade of bigotry that almost won the White House</span> </p>

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<p><span class="deck">In a day of rampant money-making, gentle Peter Cooper was not only a reformer but successful, widely loved, and rich.</span> </p>

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<p><span class="deck">New York received the great composer like a god; he responded <span class="typestyle"> con brio</span> to its shiny gadgets and beautiful women and produced an “American” opera.</span></p>

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<p><span class="deck"><span class="typestyle">The draft riots of 1863 turned a great city into a living hell.</span> </span></p>

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<p><span class="deck"> Flags flew and champagne flowed when the Czar’s ships anchored in New York Harbor. Fifty years later we learned the reason for their surprise visit</span> </p>

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<p><span class="deck"> <span class="typestyle"> The 1910 race for the mayoralty of New York looked like a tough one.</span> </span></p>

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<p><span class="deck"> Columbia College presented a peaceful exterior in 1788, but inside its medical laboratories something strange was going on; and under cover of darkness freshly interred bodies were disappearing from nearby burying grounds</span> </p>

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<p><span class="deck"><span class="typestyle">Every March 17 on Fifth Avenue shamrocks bloom, bagpipes skirl, and colleens prance prettily along. Begorra, it’s a great day for the Irish!</span> </span></p>

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<p><span class="deck"> <span class="typestyle"> The old gray mare was not the ecological marvel, in American cities, that horse lovers like to believe</span> </span></p>

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<p><span class="deck"> HIS GRANDSON RECALLS:</span> </p>

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<p><span class="deck"> Ever since 1792, bulls and bears together have tripped the light fantastic on Wall Street’s sidewalks—and sometimes just tripped</span> </p>

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<p><span class="deck"> AN IMPRESARIO NAMED HAMMERSTEIN SET HIS SIGHTS ON TUMBLING AN INSTITUTION CALLED THE MET</span> </p>

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<p><span class="deck"><span class="typestyle">Thus Boss Richard Croker breezily dismissed charges of corruption. But the fortune he made from “honest graft” was not enough to buy him what he most wanted</span> </span></p>

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<p><span class="deck"> <span class="typestyle"> A visit to New York when it was little, not very old, and rather more attractive</span> </span></p>

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<p><span class="deck"> It moved more boys and girls than the Children’s Crusade of the Middle Ages—and to far happier conclusions</span> </p>

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<p><span class="deck">How a champagne picnic on Monument Mountain led to a profound revision of <span class="typestyle">Moby Dick</span> — and disenchantment</span></p>

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<p><span class="deck"> <span class="typestyle"> “It is needless,” wrote his publisher, “to say anything of the writer of ‘Maple Leaf,’ ‘Cascades,’ ‘Sunflower’ or ‘Entertainer.’ You know him.” But this black genius died penniless and all but forgotten</span> </span></p>

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<p><span class="deck"> IT’S A PETRIFIED MAN!<br />
IT’S A SEVENTEENTH-CENTURY IDOL!<br />
IT’S A HOAX!<br />
ITS THE CARDIFF GIANT! </span></p>

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<p><span class="deck"> <span class="typestyle"> Miriam Follin had a penchant for diamonds, the demimonde, and the dramatic. She also possessed the business acumen to become one of America’s leading publishers in the nineteenth century</span> </span></p>

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<p><span class="deck"> <span class="typestyle"> No other impresario ever matched the record of the indomitable Max Maretzek in bringing new works and new stars to America</span> </span></p>

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<p><span class="deck"> <span class="typestyle"> Mile for mile, it cost more in dollars—and lives—than any railroad ever built</span> </span></p>

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<p><span class="deck"> <span class="typestyle"> Peale’s Greatest Triumph</span> </span></p>

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<p><span class="deck"> <span class="typestyle"> said a New York newspaper when the Metropolitan opened its American Wing in 1924. This spring, a new, grander American Wing once again displays the collection that Lewis Mumford found “not merely an exhibition of art,” but “a pageant of American history.”</span> </span></p>

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<p><span class="deck">The restaurant that changed the way we dine—</span> </p>

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<p><span class="deck"> Victorian art, collected for patriotism and profit, finds a home in a New York hotel 19</span> </p>

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<p><span class="deck"> <span class="typestyle"> Americans don’t hesitate to say anything they please about a public performance. But the right to do so wasn’t established until the Cherry Sisters sued a critic who didn’t like their appalling vaudeville act.</span> </span></p>

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<p><span class="deck"> J<span class="typestyle"> ohn Wenrich’s original drawings of Rockefeller Center helped attract tenants in the middle of the Depression. Fifty years later they survive as talismans of a golden moment in American architecture</span> . </span></p>

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<p><span class="deck"> <span class="typestyle"> The city has been a lure for millions, but most of the great American minds have been appalled by its excesses. Here an eminent observer, who knows firsthand the city’s threat, surveys the subject.</span> </span></p>

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<p><span class="deck"> <span class="typestyle"> … illuminated by the hand-tinted slides that helped make it a hit</span> </span></p>

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<p><span class="deck"><span class="typestyle">They could hardly have been more temperamentally incompatible, but the Midwestern writer Willa Cather and the crusading editor S. S. McClure enjoyed a splendid working relationship for six years and a lifetime of mutual respect</span> </span></p>

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<p><span class="deck"> <span class="typestyle"> The ceaseless clatter of cheap pianos from a mid-Manhattan side street was once music to all America</span> </span></p>

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<p><span class="deck"> <span class="typestyle"> A gathering of little-known drawings from Columbia<br />
University’s Avery Architectural and Fine Arts Library illuminates two centuries of American building</span> </span></p>

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<p><span class="deck">One of the country’ more bizzarre labor disputes pitted a crowed of outraged newsboys against two powerful opponents: Joseph Pulitzer and William Randolf Hearst.</span></p>

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<p><span class="deck">A trackside album of celebrities from the days when the world went by train</span></p>

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<p>The great buildings of the 1920s are standing all over Manhattan, preserving in masonry the swank and swagger of an exuberant era.</p>

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<p><span class="deck">American art was hardly more than a cultural curiosity in the early years of this century. Now, it is among the world’s most influential, and much of the credit belongs to a self-made woman named Juliana Force.</span></p>

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<p>He excelled at business and made Macy's highly profitable. But Nathan Straus was even better at giving away his earnings to help people in need.</p>

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<p><span class="deck">How a tireless impresario parlayed a cloud of smoke into several fortunes</span></p>